izotope tonal balance control no target curve folder

So, we have the inevitable question: is it worth upgrading? For me, the answer is an obvious “Yes”, since I do more than 90% of my own mastering with Ozone. I initially thought iZotope had just added a few new modules and a bit of cosmetic enhancement, but actually, they clearly included those new modules in the detection process and after setting the general loudness at approximately the same level, the end result from Ozone 10 still sounds considerably more balanced, especially in regard to different groups of instruments. Tonal Balance Control will create a single target curve based on all audio files included in the selected folder. Depending on the version, Ozone can be used as a single plug-in (containing all the modules) or as a set of individual plug-ins. Allows you to select a folder of audio files. After running the automatic detection on both Ozone 9 and 10, I was pretty surprised at how much better the new version sounded. This time I made an exception and left the previous version of Ozone in place to compare it with the new one. It is the only one that has automatic detection and to my ear, it sounds just perfect. Ozone proves to be a winner in its own class. There are two modes in the plugin: analog and digital. Now you can measure you tonal balance in styles like Jazz, R&B/Hip-Hop. The equalizer 1 is an advanced eq plugin that operates in stereo, mid-side, and left/right modes. With any new release of a mastering package, I normally go through my standard procedure: I open some of my old projects and recreate my “testing mastering tools” chain implemented with mastering plugins from different companies. Tonal Balance Control 2 includes 9 new genre-cased targets, for a total of 12 curves.

Izotope tonal balance control no target curve folder